// di carey sound // SOUND DESIGN
| Dua: The Monster’s Story✪ | Dir. Robin Bearl | Theatre Prometheus, DC | |||
| Fantasticland!✪ | Dir. Alysia Hominga | Town Hall Theatre, Lafayette CA | |||
| Night of the Living | Dir. Michelle Ianiro | Town Hall Theatre, Lafayette CA | |||
| The Grown Ups | Dir. Matthew Travisano | Town Hall Theatre, Lafayette CA | |||
| Collective Rage | Dir. Gracie Brakeman | ACT Conservatory Fellows Program, SF | |||
| +This is Modern Art | Dir. Amissa Miller | Saint Mary’s College, Moraga, CA | |||
| La Paloma✪ | Dir. Robert Guzman | Saint Mary’s College, Moraga, CA | |||
| Red Scare on Sunset | Dir. Allen Sawyer | New Conservatory Theatre Center, SF | |||
| The Farnsworth Invention | Dir. James Fewer | Southridge Theatre, Beaverton, OR | |||
ASSOCIATE SOUND DESIGN
| The Comeuppance | Dir. Morgan Green | Des. Jordan McCree | Woolly Mammoth/Wilma Theatre | ||||
| Soft Power | Dir. Ethan Heard | Des. Eric Norris | Signature Theatre, DC | ||||
| The Sensational Sea Mink-ettes✪ | Dir. Taylor Reynolds | Des. Tosin Olufolabi | Woolly Mammoth Theatre, DC | ||||
| The Cherry Orchard | Dir. Susan E. Evans | Des. Michael Kelly | Town Hall Theatre, Lafayette CA | ||||
| An Invitation Out | Dir. Kieran Beccia | Des. Michael Kelly | Quantum Dragon Theatre, SF | ||||
AUDIO PRODUCTION
| Leopoldstat | A1 | Des. Jane Shaw | Shakespeare Theatre, DC | ||||
| Babbitt | A1 | Des. Leon Rothenberg, Assoc. Ryan Marsh | Shakespeare Theatre, DC | ||||
| Matchbox Magic Flute | Audio Cover | Des. Andre Pluess, Assoc. Brandon Cook | Shakespeare Theatre, DC | ||||
| The Lehman Trilogy | A1 | Des. Michael Costagiola | Shakespeare Theatre, DC | ||||
| Macbeth | Audio Cover | Des. Christopher Shutt, Assoc. Sam Clarkson | Shakespeare Theatre, DC | ||||
| At the Wedding | Production Audio | Des. Jane Shaw | Studio Theatre, DC | ||||
| Love, Love, Love | Production Audio | Des. Matthew Nielson | Studio Theatre, DC | ||||
| Fat Ham | Production Audio | Des. Sinan Zafar | Studio Theatre, DC | ||||
| Newsies | A2 | Des. Tommy Rosati | Playhouse Stage Co., Albany, NY | ||||
OTHER RELEVANT EXPERIENCE
| Love, Love, Love | Video Design | Studio Theatre, Washington DC | ||
| SMC Spring Dance | Asst. Master Electrician | Saint Mary’s College | ||
| Overhire Electrician | California Shakespeare Theatre; Studio Theatre | |||
| “al borde de una crisis nerviosa” | Lighting Designer | Saint Mary’s College, Moraga, CA | ||
| Trenchcoat In Common | ASM | NHSI Theatre Arts, Evanston, IL | ||
Skills
Audio:
– Familiar with most DAWs — Logic Pro, Reaper, ProTools, Ableton
– Advanced Qlab programming for audio, video, lighting, OSC & MIDI
– Programming on analog and digital consoles – Yamaha DM, CL, QL, LS series; Digico SD series, 338DT; (beloved) Studer Vista 5
– Digital Signal Processors — BSS LondonBlu, D&B DS100, Yamaha DME7; AudioArchitect,
– Dante networking (Level 1-3 certified)
– Drafting in 2D and 3D on Vectorworks
– Qsys AV over IP system building
– Wired and wireless intercom systems, Clearcom & Reidal
– RF signal distribution; Shure WWB, Sennheiser WSM, Wavetool
– Building and fitting head-worn mic rigs
– ‘Broadway-style’ audio rigs in regional theatres, shop prep and load-in of such rigs.
Video:
– Video/projection mapping using QLab, Isadora, and Watchout
– CC video systems for stage operations, color and IR cameras
– Content creation in Final Cut X & Premiere Pro
– Blackmagic hardware and software
Other theatrical:
– IATSE Local 22
– Basic programming ETC family of consoles
– Counterweight fly systems
– Supervising crews
– First aid & CPR/AED certified